Rubén Blades Biography







updated 05/20/2013
maestravida.comRubén Blades:
Singer, Songwriter, Actor, Lawyer, and Political Figure

 
Rubén Blades was born in a rooming house in a small Latin American country, but he refused to see limitations or barriers; his work has crossed geopolitical borders, cultures, and genres and made an impact throughout the world.
 
As a musician he has won 10 Grammys, including one in the World Music category. As an actor he has won a Cable ACE Award and received Emmy, Independent Spirit, and ALMA nominations. ASCAP honored him with its Founders Award and the Grammy Recording Academy with its Heroes Award. The Hispanic Heritage Foundation honored him with its arts award,  and the Hispanic Organization of Latin Actors honored him with its Raúl Juliá HOLA Founders Award.
 
Blades has made landmark albums in classic Afro-Cuban salsa as well as Afro-Cuban music touched with rock, jazz, pan-Latin, and other influences from around the world. He has collaborated with rock, jazz, pop, hip-hop, reggaeton, and salsa artists. He has composed hundreds of songs and dozens of hits known for their eloquent, politically-aware lyrics, colorful characters, and memorable melodies.
 
Beyond his artistic success, Blades has always had an eye for political activism. In 1994 he formed a political party, Movimiento Papa Egoró (“Mother Earth” in the indigenous Embera language), and ran for president of his native Panama.
 
He holds degrees in law from the University of Panama and Harvard Law School. He was named U.N. World Ambassador Against Racism in 2000.  In 2006 the president of Chile awarded him the Pablo Neruda Order of Cultural Merit, and in 2010 the president of Ecuador honored him with their Orden Nacional al Mérito Cultural. He has received an Honorary Doctorate degrees from Berkeley University in California (Chicano Studies),  Lehman College in the Bronx (Humanities) and the Berklee College of Music in Boston (Music).

The Loeb Music Library at Harvard University recently formed The Rubén Blades Archives with the purpose of collecting his work and papers.

He is married to Broadway actress/singer Luba Mason and currently lives in NYC.
 
He believes that your actions should match your words, and that public service is a duty.

"Si piensas y haces lo que sientes, eres feliz".


Panama
foto by   Rafael Guillén
Panama 2011




Bio Summary:
English  Español

  RB baby
 Emma, Rubén, Anoland 1949

 RB padre  

Rubén Blades padre (complete photo)
Rubén Blades (pronounced 'Bleids' in Panama and by the whole family) was born on 16 July 1948, of grandparents born in Colombia, St. Lucia, Spain, and New Orleans, USA in the cultural crossroads nation of Panama.  From birth, Blades was exposed to music through both of his parents. His mother Anoland Bellido de Luna was born in Cuba and sang and played the piano. His father Rubén Blades Sr. was born in Colombia and played percussion. Radio, playing every kind of music, was a constant presence in their home.

His grandmother Emma Blades Bosques was also a great influence. She was a spiritualist, a Rosicrucian, a vegetarian, a painter, a poet, and a feminist. She taught him to read and exposed him to many ideas.

His English-speaking grandfather Reuben Blades was born in St. Lucia, and came to work in Panama as an accountant during the building of the Canal.

On the Cuban side, Rubén descends from writers and revolutionaries who fought for independence from Spain.

"My abuela Emma who was with me at all times, instilled me with a sense of justice, that we can all serve as part of the solution. That is the perspective from which I developed and the foundation to help me move forward."

familia
In Panama, Blades grew up on U.S. culture and rock & roll. At age 9, he saw Frankie Lymon & the Teenagers in the film Rock, Rock, Rock and decided to write a letter asking to join the group. His mother didn’t mail the letter, but she did buy him a plastic guitar.

Then in 1964, civilians were killed and wounded by U.S. soldiers and Canal Zone police during riots that erupted when students tried to fly the flag of Panama next to that of the U.S. at Balboa High School. This event was traumatic for the nation and deeply affected the fifteen-year-old Blades.

"They turned friends into enemies. Even today [1984], that's the pity of U.S. policy in Latin America."

As a student at the University of Panama he composed, sang, and  recorded with various groups. including Los Salvajes del Ritmo and Bush y sus Magnificos. When the university closed due to riots in 1968, he traveled to New York City and contacted Pancho Cristal, Cheo Feliciano's producer. Cristal had heard Blades sing in Panama and got him together with “boogaloo” Pete Rodríguez to make a record. From Panama to New York was released in 1970 but didn't attract much attention. Blades says that due to the Che Guevera-inspired song "Juan González", it was banned in 17 countries.

club windsor

padre 1985
 Rubén padre, 1985 - youtube video


Blades returned to his country to finish his law degree. Immediately after graduating he joined his family in Miami, who had been pressured to leave Panama for political reasons. 

He then returned to New York and took the only job available at Fania Records: in the mailroom.


"They wouldn't record me. I had to push a cart full of mail from 57th and Broadway to 52nd Street every day."

While the job was not glamorous, it gave him contact with the New York Latin music scene. Performers such as Richie Ray and Bobby Cruz, Nestor Sanchez, Bobby Rodríguez, Tito Puente, Roberto Roena, Pete "El Conde" Rodríguez, and Ismael Miranda recorded his compositions.


His opportunity to sing came when Ray Barretto needed a new vocalist, and auditioned him in the mailroom. He was hired and shared lead vocals with Tito Gomez on the Grammy-nominated album Barretto (1975) and  Tomorrow: Barretto Live (1976). He performed with Larry Harlow's Orquesta Harlow and sang on the Grammy-nominated La Raza Latina (1977). He provided backup and guest vocals for other Fania recordings and the Fania All-Stars. A guest appearance on Willie Colón's The Good the Bad the Ugly (1975) brought him widespread recognition for his song "El Cazangero" (lyrics & translation).

Special article: The Collaboration of Willie Colón/Rubén Blades at Fania Records


This successful collaboration led to Blades joining forces with Willie Colón, replaceing Héctor Lavoe as singer, and bringing his own ideas and compostions with him. The Colón and Blades partnership would mark an important shift in salsa music.

"Ray was more interested in Afro-Cuban music and jazz. Willie was more interested with things that had to do with Latin America, and he allowed me to record my songs. It was a wonderful group of people, which I had the privilege to meet and work with."

Ruben WillieMetiendo Mano



Their album Siembra (1978) was an international smash hit, with songs and arrangements that spoke to both the head and the feet, and uplifting and compelling social messages. The story song "Pedro Navaja" broke records and remains a beloved classic.


"All of a sudden you had a record that was confronting issues and that was unheard of at the time."



This ground-breaking album was followed by another, the two part Maestra Vida (1980), a musical drama using characters to explore social issues in a very personal way. Blades blended theatrical, literary, and political concepts with the music of the streets to tell his story of a family in the barrio.

In 1982, Blades was given the opportunity to pursue his interest in acting. Fania owner Jerry Massucci offered him a role in a low budget movie entitled The Last Fight, directed by Fred Williamson.

"I played a boxer who also sang, so we could sell a few records."

Although the film was not successful, it gave Blades his first experience in the film medium. The highly acclaimed independent film Crossover Dreams followed in 1985, and his acting career was launched.

SDRB photo
As seen on SDRB: Seis del Solar July 16, 1984

At the same time, Blades had decided to form his own band and develop his own musical ideas. Discontented with Fania’s business practices, he signed with Elektra Records.

He formed the Joe Cuba-inspired sextet Seis del Solar, eliminating the traditional salsa brass section and experimenting with rock and jazz elements. When he recorded Buscando America (1984), rock and jazz journalists around the world took notice and began to write about him and his music.


"I wanted to make an urban American album that can be appreciated by any American city dweller and may bring people who haven't identified with salsa a bit closer to us."


After this success, he took a break to attend Harvard University School of Law, with the long-term goal of returning to Panama with the credentials to be taken seriously in politics. He earned a Master's Degree in International Law in 1985.

"I needed something to humble myself, and believe me, that school, which was no picnic, did it."

The documentary The Return of Ruben Blades captures his graduation, and his return to performing.

 Escenas (1985) brought him his first Grammy. His next experiment was Agua de Luna (1987), inspired by short stories of Colombian magical realist author Gabriel García Márquez, exploring literary concepts in songs. Working with rock pioneers Lou Reed, Elvis Costello, and Sting, he recorded Nothing But the Truth (1988) where he joined his multi-cultural rhythms and political themes together with English lyrics.

"I want people to acknowledge the possibilities of a Latin artist fully - meaning we can do English, too."

The same year, he expressed devotion to his roots as Seis del Solar evolved into Son del Solar, bringing back the brass section for Antecedente (1988), which won him his second Grammy.

Milagro Beanfield WarCrossover DreamsHis second movie was Crossover Dreams directed by Leon Ichaso. He played a salsa musician trying to introduce himself into the American market, and he also co-wrote the screenplay. It was critically acclaimed and went into general release as a successful independent film.

"I can't say enough for the people of East Harlem. They brought us soup and let us film in their homes in exchange for our painting them. Everybody in the community cooperated. It was a Latin effort done by ourselves to help ourselves."

1988 also saw his first important Hollywood film role, in The Milagro Beanfield War directed by Robert Redford.

Dead Man OutIt was followed by a leading role in Dead Man Out (1989), where his portrayal of a killer on death row earned him the Cable ACE Best Actor Award.  [see trailer]

Other acting credits include: Crazy From the Heart and The Josephine Baker Story (1991), both earning him Emmy nominations; the Broadway musical The Capeman by Paul Simon (1998); the TV series Gideon's Crossing (2000); and Once Upon A Time in Mexico (2003). 
[See imdb
It was during The Capeman that he met his current wife Luba Mason.
"I started acting by choice, however, when I get involved in something, I try to learn everything there is, and what I learned in Hollywood and television in this country is that you can't sit around and wait for the opportunities to come by."

Papa Egoro


True to his social activism, Rubén Blades returned to Panama to run for president in 1994, as the founder and head of the Papa Egoró Movement. He ran a grassroots campaign of ethics and equality between cultural and social groups across all economic classes. He came in third of seven candidates.

"In order to sustain the integrity of the work, I felt I had to go out there on the streets and try to make political change possible through the political process, not just singing. We proved it could work. We came in third out of 24 parties, with 18% of the vote. I'm a better, less selfish person for it."

MUNDO
Returning again to music, his restlessness led him to incorporate even broader influences, leading to a trilogy of Grammy winning recordings: La Rosa de los Vientos (1996), with Panamanian musicians and composers; Tiempos (1999) with the trio Editus, in which he incorporated elements of contemporary classical music and jazz;  and Mundo (2002), with an expanded Editus Ensemble, fusing Irish, Arabic and Afro-Cuban instruments and rhythms.


This eclectic album won a Grammy for Best World Music and a Latin Grammy for Best Contemporary Tropical Album. Guest artists included bagpiper Eric Rigler and Broadway singer and actress Luba Mason.

"Racism is absurd and my new record reflects that."

courtesy of Orosmén de la Guardia

Foto courtesy of Orosmán de la Guardia, ©2003 rubenblades.com

BerkleeAs guest artist on the Spanish Harlem Orchestra's second album Across 110th St. (2004) he received a seventh Grammy award.  His eighth was a Latin Grammy for the video of "La Perla" with Calle 13 (2008). His ninth was a Latin Grammy in the Cantautor category, for Cantares del Subdesarrollo (2009).

He was honored by the New York Chapter of the National Academy of Recording Arts and Sciences with its Heroes Award in 2004, and ASCAP honored him with its Founders Award in 2005.

Berklee College of Music conferred on him an honorary doctorate in music in 2005.

In 2004 Blades went home to Panama for a five year term as Minister of Tourism, serving his country as he had long hoped to do.

"When I go back to Panama, I'm going to be very happy to be there because I really believe in my country and I know we're going to do good things there. It's not just a romantic dream; we can make things happen there."


sdrb12Living in Casco Viejo, a few blocks from Plaza Herrera in the San Felipe neighborhood where he was born and raised, he maintained contact with his fans through SDRB, the Show de Rubén Blades videos on his web site, featuring anecdotes, recommendations, and interviews with artists including Calle 13, Danilo Pérez, and Blades’s wife, singer and actress Luba Mason.

When his government service was completed in July 2009,  he  joined Luba for part of her Krazy Love tour, performing duets in jazz clubs.  In 2009 and 2010 the long-awaited reunion of the original Seis del Solar in the Todos Vuelven Tour was enjoyed by a million people across the Americas.

The succeeding years  saw new tours, Una Sola Salsa together with Gilberto Santa Rosa, film work, and other concerts including tours in Europe and Latin America with the Roberto Delgado Orchestra, and "Musical Chronicles" tour in performing arts centers in the U.S. He has many other projects in the works: movies, books, recordings, tours.


Updated NewsBlog    Bio Summaries: English - Español
Puerto Rico 12 Aug 2009

Todos Vuelven logo

2009 marks the 25th anniversary of the still revolutionary Buscando America.


rb at the smithsonian
On 27 March 2010, Rubén was interviewed onstage at the Carmichael Auditorium at the Smithsonian Institution in Washington D.C., jointly sponsored by the American History Museum and the Smithsonian Latino Center.  (photos)

  En el Tribunal Federal de San Juan: Final Decisions ~ "Cada cual tendrá que bregar con el karma que crean sus acciones".
he wonMay 16, 2013: Final judgement against Morgalo in favor of Rubén Blades in his defamation suit [Document 364]
he won December 22 2010: granted legal costs of $9,819.81 to be paid by Willie Colon to Rubén Blades [Document 263]
he wonJune 15 2010: Partial final judgement in favor of Rubén Blades against Morgalo, Martinez & Associates, LLC
in the amount of $133,168.16, plus interest. [Document 228]
FOR IMMEDIATE RELEASE:
COURT DISMISSES DEFAMATION CLAIM AGAINST BLADES

The Federal District Court in Puerto Rico has dismissed the defamation suit filed by Robert Morgalo against Ruben Blades after hearing the evidence at trial. Morgalo, who was the president of Martínez, Morgalo & Associates, LLC, had sued Blades over a May 2007 press conference in Panamá where Blades was quoted saying that he and Willie Colón had been “robbed” of their Siembra Concert fees in 2003.  Among several defenses asserted by Blades was that his statements were substantially true.

Magistrate Judge Bruce J. McGiverin decided in favor of Blades, finding that Morgalo’s company accepted Colón’s and Blades’ performance fees, used the money to pay the company’s debts without permission, and still has not paid the artists.  The Court also found that “the impact on Morgalo’s reputation in the industry would be the same.”

In May 2007 Willie Colon sued Blades claiming Blades owed him $115,000 from the 2003 Siembra concert in Puerto Rico.  In June of 2008, Blades prevailed in proving that it was the firm of Martínez & Morgalo, acting as joint agents, that misappropriated the funds.  The Court ordered Martínez & Morgalo to pay Blades over $133,000, but this money has not been paid to Blades. 

After three years of litigation, in May of 2010, Willie Colón dismissed his claims against Blades one week before the start of trial.  Colón claimed he had arrived at an out-of-court-settlement with Robert Morgalo.   Blades never settled or paid Willie Colón any amount, but Willie Colón was ordered and paid Blades almost $10,000 in court costs. 

Morgalo’s defamation suit had been dismissed earlier, but the Court of Appeals reinstated the case finding that Morgalo should be allowed to prove his case.  Trial was finally held in February of 2013 and Morgalo refused to testify.  The Court has now dismissed the defamation claim with prejudice based on the defense of truth established by the evidence presented by Blades.   There are no current lawsuits pending against Ruben Blades.

Attorney Pamela González, of Bufete Roberto Corretjer Piquer, represented Blades in all lawsuits.

TRIBUNAL FEDERAL DESESTIMA CASO DE DIFAMACIÓN CONTRA RUBÉN BLADES

San Juan, Puerto Rico, Lunes - 20 de Mayo de 2013 – Llega a su fín. El Tribunal de Distrito Federal en San Juan, Puerto Rico desestimó la Demanda por Difamación presentada por Roberto Morgalo contra Rubén Blades después de escuchar la evidencia en el juicio celebrado el pasado 11 de febrero de 2013.

Roberto Morgalo, quien era el presidente de la compañía Martínez, Morgalo & Associates, LLC, demandó a Blades por unas expresiones hechas en conferencia de prensa luego de que Willie Colón acusara a Blades de deberle dinero, cuando entonces Blades servía como Ministro de Turismo en Panamá.  Blades fue citado diciendo que los agentes artísticos de Colón y Blades habían malgastado el dinero de sus honorarios por el concierto Siembra que se llevó a cabo en Puerto Rico en el año 2003, y que le habían “robado” a ambos.  

Morgalo sostuvo que tales expresiones tuvieron el efecto de dañar su reputación.  Entre varias defensas, Blades alegó que las declaraciones eran sustancialmente ciertas.
 
El juez federal Bruce J. McGiverin decidió a favor de Blades, encontrando que la empresa que dirigía Morgalo en efecto recibió el dinero de los artistas y los usó para pagar deudas de la empresa sin permiso. El Tribunal, de paso también encontró que las expresiones de Blades no tuvieron impacto en la reputación de Morgalo en la industria. 

En mayo de 2007 Willie Colón demandó a Blades alegando que este le debía $ 115,000.00 por los honorarios del concierto “Siembra” de 2003.  En junio de 2008, Blades prevaleció al demostrar que fue la firma de Martínez, Morgalo & Asociados, en calidad de agentes artísticos comunes de ambos, quienes se apropiaron indebidamente del dinero y dejaron de hacer los pagos. El Tribunal ordenó a la compañía Martínez, Morgalo & Associates, LLC, pagar más de $ 133,000.00 a Blades, pero este dinero aún no ha sido pagado.

Después de tres años de litigio, en Mayo de 2010, Willie Colón retiró su caso contra Blades a una semana de iniciar el juicio en su fondo. Colón afirmó que había llegado a acuerdo extrajudicial con Roberto Morgalo en el que se daba por satisfecho. Rubén Blades nunca pagó suma alguna a Willie Colón, sino que fue Willie Colón quien tuvo que rembolsar a Blades casi $ 10,000.00  a Blades en concepto de gastos legales.

La demanda por difamación de Morgalo había sido desestimada en un principio, pero el Tribunal Apelativo en Boston ordenó que el caso fuera reinstalado para que Morgalo tuviera su día en corte.

El juicio finalmente se celebró en el pasado mes de febrero 2013 y en el  Morgalo se negó a declarar. El Tribunal falló a favor de Blades basado en la defensa de la veracidad de sus expresiones.  Con la sentencia emitida finaliza el caso que había estado consolidado con la demanda de Willie Colón.  Al presente no existen demandas ni reclamaciones pendientes contra Rubén Blades.

La licenciada Pamela González, del Bufete Roberto Corretjer Piquer, representó a Blades en todos los pleitos.


Blades en la conversación manifestó también su satisfacción porque la Universidad de Harvard le ha anunciado que colocará toda su historia y producción en la Biblioteca de la institución.
“Han hecho un llamado internacional para que envíen todo tipo de material, artículos, libros, ensayos de universidades, tesis;  va a ser interesante para mí entender cómo la gente ha percibido el trabajo mío”, dijo el creador de Plástico.

 
 



Maestravida.com Directory of Pages






Copyright © 2008-2013 Alison Weinstock and Maestravida.com.  All rights reserved.